Sterility

I close my eyes              glass forms like hands.

Little green leaves tingle themselves. I want

to give birth to my baby with my white

shirt, my glass bottle, by the waterfall.

A bottle of water appears, I must

drink it. Don’t forget. Don’t forget. I wear

my clean white shirt. I do it every

day. I don’t make enough sounds. I must write

it down. Some ink is all           a page needs.

These are my materials: glass bottle,

white shirt, baby. I compose a poem.

On another page, the word “blood,” written

in small letters. & the moment of death,

what will that be like? A novel? A play?

The narrow passages of nakedness?

To be naked is to be cold. That was

how I felt, those yearning arcs, like the dream

of clear water moving down the cliff face.

I go to the waterfall, try to give

birth to a baby. I am split in half

against a tree. I give birth to a glass

bottle                name the bottle “Waterfall”

& I love her — the way she glistens as

I rock her in my arms — I never had

a chance                                         grasping

at the world’s body — roots, stones.

Many sparrows stirred atop the mountain—

I said, “Thank you God for my bleeding hands.”


Alongside her poetic practice, Sparrow Murray is exploring sculpture and performance art. Her writing can be found in Love and Squalor, The SLC Review, and the Phoenix. Once she had to confront a friend and ask, “How could you disregard leaf morphology like this?”