Sterility
I close my eyes glass forms like hands.
Little green leaves tingle themselves. I want
to give birth to my baby with my white
shirt, my glass bottle, by the waterfall.
A bottle of water appears, I must
drink it. Don’t forget. Don’t forget. I wear
my clean white shirt. I do it every
day. I don’t make enough sounds. I must write
it down. Some ink is all a page needs.
These are my materials: glass bottle,
white shirt, baby. I compose a poem.
On another page, the word “blood,” written
in small letters. & the moment of death,
what will that be like? A novel? A play?
The narrow passages of nakedness?
To be naked is to be cold. That was
how I felt, those yearning arcs, like the dream
of clear water moving down the cliff face.
I go to the waterfall, try to give
birth to a baby. I am split in half
against a tree. I give birth to a glass
bottle name the bottle “Waterfall”
& I love her — the way she glistens as
I rock her in my arms — I never had
a chance grasping
at the world’s body — roots, stones.
Many sparrows stirred atop the mountain—
I said, “Thank you God for my bleeding hands.”
Alongside her poetic practice, Sparrow Murray is exploring sculpture and performance art. Her writing can be found in Love and Squalor, The SLC Review, and the Phoenix. Once she had to confront a friend and ask, “How could you disregard leaf morphology like this?”